Here is Mine:

Lee Morgan - Trumpet
John Zorn - Alto Saxophone
John Coltrane - Tenor Saxophone
Grachan Moncur III - Trombone
Bobby Hutcherson - Vibraphone
Cecil Taylor - Piano
Philly Joe Jones - Drums
Charles Mingus - Bass

I would really love to see pat Metheny And Mike Stern play along eachother.

Pat Metheny: Guitar
Mike Stern: Guitar
Dave Weckel: Drums
John patticci: Bass
Randy Brecker: Trupet
Lyle Mays: Piano, Keyboards, & Synths
some backing vocals magic

yeahhhhhhh..ain't that good?


Ammaro

I can't actually believe that a post like this was allowed to go so far without mentioning Jaco Pastorius on bass. I mean, Wooten is a virtuoso, but once you get past the speed, Jaco's got a lot on him. That said.

Jaco Pastorius - Bass
Cannonball Adderley - Sax
Dizzy Gillespie - Trumpet
Herbie Hancock - Keys

Intersting list Avian..Jaco is the man.


Ammaro

before the 60's

Coltrane - tenor
Bird - alto
Sidney Bechet - soprano
Gerry Muligan - baritone
Satchmo - trumpet
J.J. Johnson - trombone
Bud Powell - piano
Max Roach - drums
Mingus - bass

after the 60's

Coltrane - tenor
Anthony Braxton - alto
Steve Lacy - soprano
Mats Gustafsson - baritone
Eric Dolphy - bass clarinet/flute
Toshinori Kondo - trumpet
George Lewis - trombone
Cecil Taylor - piano
Andrew Cyrille - drums
Barry Guy - bass

nice choice on the Toshinori Kondo, I really love his playing with Peter Brotzmann's Die Like A Dog Quartet.

agreed. Love his album with DJ Krush called "Ki-Oku"...lovely downtempo hip-hop with a jazzy touch...

Art Blakey - Drums
Gary Burton - Keys
Grant Green - Guitar
Kenny Dorham - Brass
Charles Mingus - Bass
Lyn Collins - Vocals (in a blues'y style)
Bobby Montez - Percussion

This is how it would go:

The set begins with a hard-bop interpretation of autumn leaves, parker'esque brass-phrasing, and a shuffled snare-heavy beat thats a little loose. Then Green solos to Airegin, Burton comps. Then Burton improvies Portsmouth Figurations with Montez in a latin mode. Tempo slows, and Montez does primary backing for Lyn who sings in a bossa style. Green punches in with funk-riffs, Dorham comps, Blakey reintroduces hard-bop overlayed on Montez. Breakdown while Mingus does his best Freddie Hubbard impression, Dorham builds, Green Comps. Then Collins sings Backlash Blues in a mid-tempo skat style, Mingus, Blakey, Burton, all comp. Montez is reintroduced later, Blakey fades, and Green strums the melody to Mas Que Nada. Dorham improvs over Green, Montez backing, Blakey comps. Then Montez and Blakey improvise afro-cuban hard-bop. Roach goes into convulsions on the floor. Collins sings Nicola Conte's 'arabesque', with Dorham comping. Burton comes back in behind Mingus, Green lights a cigarette. Davis, looking out from the crowd, falls off his chair in awe. Green comes back in with delicate phrasing. Brubeck is scratching his head, Simone is sitting by the bar - stunned. Then Byrd (Charlie) begins applause, followed by Byrd (Donald), who both swell the crowd. Davis manages to get back up, composes himself, and curses Dorham for keeping him out of the loop. Blakey plays out to Moanin', behind Mingus in a heavy funk mode. Davis grabs the horn from Dorham (though which horn, I cant tell), and plays All Blues. Lyn cheers, Burton comps, and Green sits and smokes the remainder of his cigarette. God comes down from the sky and awards the prize for greatest jazz set of all time.

In what way would Charles Mingus a bass player be doing an impression of Freddie Hubbard a trumpet player?

Sorry, that should be Leonard Hubbard.