you're right about the Radiohead; how could i have overlooked its landmark release?
i will discourse briefly to justify my decisions because that's just how pretentious i am.
im going to forget the digital will-offering bit. it didn't feel like Kid A or O.K. Computer; nothing spellbinding; each track has a quality in its own; im not sure that any of them stand out more than the other; each seems like its own world; i see why 'Videotape' is the final track, but i don't see this album as a constructed storyline like most of their material; the tracks' character are intimate and beautifully progressive; wonderful tonality and the orchestration/timbral combinations are seamless as expected.
an experience; imagery; non-proportional architecture; noir; rewarding.
Seefeelish Bloody Valentine sweeping through waves of seabreezed cool. there are some great harmonic movements and tonality/timbre subtleties that ring through Liz's reverbial sirening..yet siren as in the luring quality. 'Invisible' is quite a standout for me.
she's beautiful, is she not?
the artwork does this recording justice. little snippets of Move D's swaying/swung grooves are tastefully peppered throughout Brunn's contributions of (what i've heard from Brunn) low fi extractions. melodically quite static and at times slow to progress, but really builds steadily and surely. like bee's bringing their efforts patiently, these two complete a solid record of dubby bubbly minimal intelligence!
organic, lush, emotive harmonies. the cadences are just what im looking for.
