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Old 08-18-2008, 02:29 AM   #101
Satchmo8101
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Over the last few days I have been listening to Murray Perahia get his Mozart Piano Concertos groove on.










DA PRINCE
- The Complete Piano Concertos - English Chamber Orchestra - Murray Perahia



YO!
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Last edited by Satchmo8101 : 08-18-2008 at 02:34 AM.
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Old 08-18-2008, 08:24 PM   #102
Roivas
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Pehr Henrik Nordgren / Transe-Choral - Concerto No.1 for Cello and String Orchestra - Rock Score / Juha Kangas
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Old 08-19-2008, 12:43 AM   #103
Satchmo8101
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Sometime this year (which would include tonight) in what the locals like to call Nihon-koku....Ms. 23 Chromosomes broke off....


Ferruccio Busoni - Piano Concerto
Bill Evans - Blue in Green
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Last edited by Satchmo8101 : 08-19-2008 at 01:25 AM.
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Old 08-19-2008, 12:09 PM   #104
Roivas
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Quote:
Originally Posted by Satchmo8101
His issues have more to do with how Wilhelm Furtwängler (as in, DA MAN) was treated after WWII in comparison to Karajan. Wilhelm Furtwängler not only never joined the Nazi party he never gave what is now known as the Nazi salute (of course, it's a variation of the Roman salute and people in the U.S. used it to salute the U.S. flag until WWII....afterwards it was changed to right-hand over your heart.) and Karajan did....but it was Wilhelm Furtwängler who was put on trial.


There is even footage of DA MAN wiping his hand with a handkerchief after shaking Goebbels hand after a performance of DA KING's 9th.



As you can see in this video....a who's who of Nazis were in the audience since it was the eve of Hitler's birthday performance.

http://www.youtube.com/watch?v=Yqff1F0Ijn0


You will also notice DA MAN's distinctive style of conducting. He might be the first headbanger, BABY!

He's occasionally great, although having the Berlin Philharmonic, I'm sure, helps.

I like his early recordings.
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Old 08-20-2008, 07:56 PM   #105
Roivas
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Niels Gade / Symphonies No.1 & No.8 / Neeme Järvi
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Old 08-20-2008, 08:22 PM   #106
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Antonin Dvorak/Symphonies 7, 8 and 9; Overture Carnaval; Scherzo Capriccioso/Carlo Maria Giulini with the London Philharmonic Orchestra

Not a top of the line performance as I understand it, but as far as my inexperienced ears go I couldn't see it making much difference at this time.
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Old 08-21-2008, 12:10 AM   #107
Satchmo8101
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Quote:
Originally Posted by jazzfromhell


Antonin Dvorak/Symphonies 7, 8 and 9; Overture Carnaval; Scherzo Capriccioso/Carlo Maria Giulini with the London Philharmonic Orchestra

Not a top of the line performance as I understand it, but as far as my inexperienced ears go I couldn't see it making much difference at this time.


It depends on if you're downloading them or buying them? If it's the first it's not an issue, but if you're buying them why spend money on something which isn't considered one of the best or best version of any classical work?
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Old 08-21-2008, 03:46 PM   #108
jazzfromhell
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Quote:
Originally Posted by Satchmo8101
It depends on if you're downloading them or buying them? If it's the first it's not an issue, but if you're buying them why spend money on something which isn't considered one of the best or best version of any classical work?


1. It was cheap, not as cheap as it gets but $11 for a two-disc set was pretty good.
2. I was at Amoeba and decided to buy some classical; didn't happen to remember which performances of those pieces had been recommended here. Could've asked the employees if they had any knowledge to drop on that particular recording, though.
3. It does say "EMI classic performance" on the case, and while I'm not one to put all my trust in a CD case's description of its own quality, I figured it can't be that bad. It got three stars in the Penguin guide, so unless that's a very poorly written guide it isn't like it's bottom of the barrel.
4. While it would obviously better to go about this by downloading, at some point I need to get some experience listening to the best recordings versus lesser recordings, because as I said before at the moment I really can't tell the difference, unless I were to listen to them literally right alongside each other.
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"I used to work in a factory, and I liked it there because I could daydream all day." - Ian Curtis

"He has become obsessed with blocks of sound, with sequoias of sound, and if he could not produce on the piano what he hears in his head, he would do it by other means. He would gather about him whales and jets and cascades, and make them sing and roar and crash." - Whitney Balliett, on Cecil Taylor
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Old 08-24-2008, 11:47 PM   #109
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Aaron Copland- Works for Piano
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THIS MONOPHONIC MICROGROVE RECORDING IS PLAYABLE ON MONOPHONIC AND STEREO PHONOGRAPHS. IT CANNOT BECOME OBSOLETE. IT WILL CONTINUE TO BE A SOURCE OF OUTSTANDING SOUND REPRODUCTION, PROVIDING THE FINEST MONOPHONIC PERFORMANCE FROM ANY PHONOGRAPH.

-The back of one of my Pete Seeger records, still true to its word. (emphasis mine)
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Old 08-25-2008, 12:55 AM   #110
Satchmo8101
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Philip Glass - Glass Reflections - Cello Octet Conjunto Ibérico

The compositions included:

Symphony for Eight (From Symphony No. 3, Mvt. III)
Company (From Quartet No. 2, Mvts. I and II)
Mishima (From Quartet No. 3, Mvts. III and IV)
Facades
The Secret Agent
Blood on the Stairs (From The Secret Agent)
Emigration (From The Secret Agent)
Winnie Goes to Sea (From The Secret Agent)
The Secret Agent Ending
Attack and Fall (From Akhnaten, Act III)
Funeral of Amenhotep (From Akhnaten, Act I)
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