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Old 07-14-2008, 08:37 PM   #91
Satchmo8101
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Quote:
Originally Posted by Roivas




I would have given you 100 points but your age helps you on that response.


aka


75 points!
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Old 07-14-2008, 08:41 PM   #92
Roivas
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WooHoo!
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Old 07-21-2008, 02:51 PM   #93
Roivas
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Quote:
Originally Posted by Satchmo8101
The last couple days I have been having a fest by DA MAN.

Okay...count me in:

Shostakovich / Symphony No. 10 / Haitink - LPO
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Old 07-28-2008, 07:33 PM   #94
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Franz Schubert / Symphonie Nr. 9 C-dur D 944 - Rosamunde: Overture D 644 / Claudio Abbado & The Chamber Orchestra of Europe
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Old 08-04-2008, 01:25 PM   #95
Orwell_Huxley
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Alexander Scriabin - Le Poème de l'extase & Piano Concerto & Prométhée (Pierre Boulez, Anatol Ugorski)
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Old 08-05-2008, 02:53 AM   #96
Satchmo8101
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John Cage/Morton Feldman - One5/Triadic Memories - Louis Goldstein


My favorite version of Feldman's Triadic Memories and at close to 113 minutes it's the 2nd longest version. Sabine Liebner's version is the longest at 124:09 minutes.
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Old 08-07-2008, 11:13 PM   #97
Satchmo8101
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Olivier Messiaen
- Complete Organ Works - Olivier Latry - Notre Dame de Paris' organ





YO!
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Last edited by Satchmo8101 : 08-08-2008 at 12:02 AM.
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Old 08-13-2008, 10:05 PM   #98
jazzfromhell
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Claude Debussy/La Mer & Prélude à L'Après-Midi d'un Faune
Maurice Ravel/Daphnis et Chloe, Suite No. 2 & Boléro

Herbert von Karajan/Berlin Philharmonic


I know Roivas has some sort of issues with Karajan, but from what I could tell this was one of his good recordings. I did my best to actually try and acquire a good performance, and my ears are still so untrained to classical that it isn't likely to matter in the near future.
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Old 08-13-2008, 11:22 PM   #99
Satchmo8101
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Quote:
Originally Posted by jazzfromhell


Claude Debussy/La Mer & Prélude à L'Après-Midi d'un Faune
Maurice Ravel/Daphnis et Chloe, Suite No. 2 & Boléro

Herbert von Karajan/Berlin Philharmonic


I know Roivas has some sort of issues with Karajan, but from what I could tell this was one of his good recordings. I did my best to actually try and acquire a good performance, and my ears are still so untrained to classical that it isn't likely to matter in the near future.



His issues have more to do with how Wilhelm Furtwängler (as in, DA MAN) was treated after WWII in comparison to Karajan. Wilhelm Furtwängler not only never joined the Nazi party he never gave what is now known as the Nazi salute (of course, it's a variation of the Roman salute and people in the U.S. used it to salute the U.S. flag until WWII....afterwards it was changed to right-hand over your heart.) and Karajan did....but it was Wilhelm Furtwängler who was put on trial.


There is even footage of DA MAN wiping his hand with a handkerchief after shaking Goebbels hand after a performance of DA KING's 9th.



As you can see in this video....a who's who of Nazis were in the audience since it was the eve of Hitler's birthday performance.

http://www.youtube.com/watch?v=Yqff1F0Ijn0


You will also notice DA MAN's distinctive style of conducting. He might be the first headbanger, BABY!
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Last edited by Satchmo8101 : 08-14-2008 at 12:07 AM.
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Old 08-13-2008, 11:41 PM   #100
Satchmo8101
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P.S. That recording is one of my two favorite of La Mer.

The other would be....

http://tinyurl.com/69qs4t



I already dropped previous knowledge on Boléro.


http://www.radiomute.com/425419-post835.html
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Last edited by Satchmo8101 : 08-14-2008 at 12:08 AM.
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