I don't know Dave Segal but this this is the kind of AE albums' reviews that irritates me, because they don't even try to really embrace Autechre and instead decide that they are just too crazy and bizarre for the average listener.
It's like if I have to review a real legend unfamiliar to me, I try to embrace him and his music or at least don't give up easily...a critic is not an average listener, that is why he got the job.
The world would be a better place if more people listened to autechre and/or everything which beauty isn't obvious and superficial.
Autechre
Draft 7.30 (Warp)
BY DAVE SEGAL
feedback@pitch.com
After Autechre's Sean Booth and Rob Brown issuedConfield in 2001, many fans wondered if the British duo had lost its mind in a labyrinth of software plug-ins and hallucinogens. That disc and its follow-up, 2002'sGantz Graf, set new standards in anti-social digital-sound splatter and polarized the electronic-music community. The scuttlebutt: Either the lads were executing an elaborate hoax (and banishing all traces of "music" in the process), or they were so far ahead of their time that it would take humans at least five years to understand this new direction.
Draft 7.30 won't convince haters that Autechre has returned to its (altered) senses. If anything, Autechre has practically transcended genre here -- but, to give you a toehold, this CD's roots are in electro. Granted, it's a grotesquely mutated form of electro. More helpful signposts include Iannis Xenakis' ominously dissonant compositions, Edward Artemiev's eerie soundtrack to Andrei Tarkovsky's sci-fi epic Solaris, Coil's diseased atmospherics and explosions in video arcades. Draft 7.30 is sonic chaos arranged with maniacal attention to detail, and it's all the more disturbing for how precisely it evokes madness.