INTERPOL – ANTICS
[MATADOR]

Interpol’s debut in 2002, Turn On The Bright Lights, was hailed by most as “debut of the year� and album of the year by many. Comparisons to the great Joy Division abound, many believed that it would be these of New Yorkers, not The Strokes, who would be the band of the nameless decade. Well, just as Room On Fire raised hints of doubt for Strokes-backers, so to does Antics for the Interpolers.
It’s not that Antics is bad album- it isn’t. But like The Strokes’ sophomore effort, Antics shows no growth for Interpol. When you listen to this album its as if you’ve heard all these songs before (the sentiment is literal for the album closer which originally appeared on 2001’s Precipitate EP) and know you’ve heard them done better. Missing is the urgency of ‘Obstacle 1 & 2’ and the majesty of ‘NYC’, replaced by the by-the-numbers ‘Next Exit’ and ‘Slow Hands’. The album has its highlights like the tapper ‘Evil’ and token acronym track ‘NARC’ but they are ultimately dimmer than those off …Bright Lights.
This coupled with the fact that the album is only ten tracks long, one of which is just a new mix of an old b-side, makes for an overall underwhelming effect to one of this year’s most highly anticipated records. It will grow on you but not enough to change your mind.
3/5
