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Originally Posted by Lava_Monster
I said probably not the best because I think in the overall scheme of blues, he isn't the best. In the early detla scene, he was the best out there, but as the blues scene moved into chicago and texas blues, other guitarist emerged.
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You can't make comparisons so easily between the Delta and Chicago (I'm not even going to consider "Texas blues"). By way of what transpired in Blues, and indeed music history, most people would be more impressed with Albert King's work than Johnson's. Not I, though. The Delta has always been more intriguing for me. Gimme Lead Belly over SRV anyday (for musically quality and guitar virtuosity). When I first got into the Blues (a while ago; actually, was my first preferred style of music; first CD I ever bought with my own money was BB's How Blue Can You Get) I gave all the standard artists a listen. All of the Delta Bluesmen got my attention right away. When I started listening to Chicago, and then 'blues-rock', I was mostly disgusted (for lack of a better term) than intrigued. Very few Chicago Bluesmen - with exceptions of the harp players - impress me. Blues rock to this day I find a very pale, not-nearly-up-to-par version of Delta, but with many great shining moments. Once Muddy plugged in, so many followed suite. And it's unfortunate, because Muddy's early career - going as far back as the early 40's - was great. That was when he played Delta. Just the same, I understand that evolution needed to flower, and if the Blues didn't move north, it would have died, right around the time when Skip James went missing.
These days, it's great to have so many great talents playing in a Delta style. If I may offer my favourite, and the cat who I think is carrying the Blues and needs much more recognition, Alvin Youngblood Hart. Pick up his debut, Big Mama's Door. Stellar.
As for Johnson:
I like to believe that this

is Johnson, bald, and without his hat.