Luckily for you
Braxton is one of those whom I have a great majority of his recordings. The thing with
Braxton is that he has so many different stages/phases and he is constantly recording and new recordings are always being released or reissued.
So, you can have recordings, which come out that are current or from one of his previous stages from the sometime in the past. He may not even be still playing that phase of music anymore.
Also, his compositions all have numbers instead of titles. He also uses diagrams for his compositions. He is also one of the greatest multi-instrumentalists in music. I have lost count how many different instruments he has recorded with. He has several
Standard's groups. In one these groups he also is the pianist.
Currently he is in what he calls his
Ghost Trance Music stage and he is up into the
300+ composition series.
Get any of what is called his
Forces of Motion Quartet recordings from the
80's that you can find, especially
Willisau (Quartet) 1991 and
Quaret (Santa Cruz) 1993. Both of which are out of print and hard to find, but every so often pop up. Beside these any
hat Art recordings in which he recorded....you can't go wrong with most of his others on that label.
Of those recordings that are still in print, which you should be able to find.
Quartet (Dortmund) 1976 *****
Quintet (Basel) 1977 *****
News from the 70's ****
Three Compositions of New Jazz ****
Twelve Compositions **
Quartet (London) 1985 **
Quartet (Coventry) 1985 **
Qaurtet (Birmingham) 1985 **
Duo (London) 1993 - this is a duo with
Evan Parker.
Trio (London) 1993 -
Braxton,
Evan Parker and
Paul Rutherford.
Charlie Parker Project
Six Compositions for Monk - the cover of
Brilliant Corners is worth the price of admission alone.
Trio & Duet - Not sure about this one. I have heard that
Sackville only reissued a 1000 of this recording.
Composition No. 94: For Three Instrumentalists - after they finish playing this composition, the three musicians finish the performance by playing the composition backwards.
Victoriaville 1988 -
Evan Parker is part of this group recording, as well.
His solo recordings, which you should be able to find
For Alto ****
Solo (Koln) 1978 ****
Solo (NYC) 2002 ****
Saxophone Improvisations, Series F **
19 Solo Compositions
Standards recordings
14 Compositions (Traditional) 1996
9 Standards (Quartet) 1993
8 Standards
Solo Piano (Standards) 1995
20 Standards (Quartet) 2003 ***
23 Standards (Quatet) 2003 ***
Marty Ehrlich handles the bulk of the reed work. Though
Braxton does play some sax on these recordings.
Knitting Factory (Piano/Quartet) 1994, Vol. 1
Knitting Factory (Piano/Quartet) 1994, Vol. 2
Piano Quartet, Yoshi's 1994
Ghost Trance Music - I would put off this phase until you get the classic recordings first. Braxton fans are divided on this phase of his output. I happen to like it but I have friends who really don't. I have heard that Braxton recorded some
GTM with a 55 member group that will be released sometime in the future.
Composition 247 - if you're not a fan of bagpipes, this one isn't for you.

Two Compositions (Trio) 1998
Six Compositions (GTM) 2001
Sextet (Istanbul) 1996
Here is a link to the liner notes of
Comp 247 by one of those involved
James Fei explaining
GTM.
http://www.columbia.edu/~jcf17/247.html
If you can find any of his
Arista lp's grab them if you can afford them. And for some unbelievable reason you don't like them, you can make a large profit on Ebay.
The Forces of Motion Quartet is made up of
Braxton, Marilyn Crispell, Gerry Hemingway, and Mark Dresser.
For example, they would start out playing say
Composition 158 and in the middle of that
Crispell might start playing something from
96 and instead of her playing the piano part to
96 it might be from
Braxton's sax portion,
Hemingway's drums or
Dresser's bass portion of
96. The written parts were interchangeable and at anytime each musician would and could bring in parts from other compositions. While that is happening the other 3 are following and improvising.
For example on
Willisau (Quartet) 1991 there is one track called
No. 140 (+147 +139 + 135).
There is a good book, which is called
Forces of Motion by
Graham Lock, who followed the
Quartet during their 1985 tour in
England.
Legend:
*****
hatOLOGY releases that should be picked up first before they go out of print.
****Essential non
Forces of Motion Quartet recordings.
**
FMQ recordings.
__________________________________________________ _____________________________
Seperate from the legend, so I could update about recent additions to this post.
1 I edited in a recent reissue of a formerly out of print
hatOLOGY recording.
2 I edited in a recent reissue of a limited edtion release of only
5000 worldwide.
3 I edited in 2
Standard's box set recordings. They're limited editions of only
1000 each worldwide.
4 The two
hatOLOGY's in
bold recently went out of print.
Get these while you can!!!!!!
5 Some previously hard to find
Black Saint recordings,
now have found a new distributor. These recordings were not listed before. I need to check to make sure which can be found. I will edit in new information when I have time.